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Ancika: Dia yang Bersamaku (1995): Transformation of the Main Character

Roma Kyo Kae Saniro
Dosen Universitas Andalas dan Peneliti Kajian Gender dan Feminisme
16 Januari 2024 7:01 WIB
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Tulisan dari Roma Kyo Kae Saniro tidak mewakili pandangan dari redaksi kumparan
Flyer "Ancika: Dia yang Bersamaku (1995)" by https://mdentertainment.com/pictures/id/
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Flyer "Ancika: Dia yang Bersamaku (1995)" by https://mdentertainment.com/pictures/id/
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When discussing Dilan, it's not an exaggeration that many people are familiar with the film for portraying various romantic, friendship, and familial stories. Dilan successfully transitioned into other art forms, including film, starting as a novel. Since the first film's release in 2018, Dilan has become a trilogy consisting of Dilan, Milea, and Ancika: She who Bersamaku—riding on the charm of Dilan and Milea, the third installment managed to capture the attention of the audience.
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The film "Ancika: She who Bersamaku 1995" premiered officially on Thursday, January 11, 2024, in local Indonesian cinemas. Adapted from Pidi Baiq's skillfully written book "Ancika: She who Bersamaku in the Year 1995," the film introduces fresh faces to Dilan's world. Notably, JKT48's Zee takes on the role of Ancika, and joining her is Arbani Yasiz, portraying the beloved character Dilan.
Ancika Mehrunisa Rabu, portrayed wonderfully by Zee JKT48, is a highly driven high school senior with academic ambitions, particularly in education and science. Devoting much of her time to studying, Ancika rejects the typical teenage lifestyle and avoids romantic relationships, believing they would hinder her academic progress. Despite being pursued by various suitors, Ancika remains focused on her studies, maintaining an aloof demeanor.
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One day, while visiting her grandfather's house, Ancika encounters Dilan, portrayed by Arbani Yasiz, who is captivated by her presence. Ancika, indifferent to their advances, finds herself unexpectedly confronting Dilan during an intense interrogation of her lesbian friends. Bravely stepping forward, Ancika successfully extricates her friends from the situation.
To her surprise, Ancika learns that Dilan is a friend of her older brother, Mang Anwar. Initially disapproving of Dilan, Ancika's perception changes over time as she discovers Dilan's exceptional intellect and achievements. Despite initially declining Dilan's romantic advances to focus on academics, Ancika eventually succumbs to her feelings, accepting his proposal. Thus, the journey of Ancika and Dilan's relationship begins, maturing over time and culminating in marriage.
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The love story between Dilan and Milea has emerged as one of the most popular romantic tales among audiences. However, in the third installment, a noticeable transformation occurred, especially in the casting of the leading actor. Iqbal Ramadan, who previously convincingly portrayed Dilan, was replaced by another actor. This change affected not only Dilan but also Dilan's sister, Milea, and several other supporting characters.
This transformation has undoubtedly generated public disappointment, given Iqbal Ramadan's successful embodiment of Dilan's character. Iqbal Ramadan's distinctive personality and charming portrayal were crucial attractions in the two preceding films. Audience dissatisfaction likely stems from their high expectations for continuing Dilan's narrative. Dilan's character and relationship with Milea have achieved iconic status in Indonesian cinema, and the replacement of the leading actor undeniably influences the audience's perception and emotional connection to the love story.
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On the flip side, transformations in the film industry are sometimes necessary for various reasons, such as impractical schedules or creative decisions made by the production team. Although the replacement of actors may disappoint, there may be efforts to provide a new interpretation of the characters. Remembering that audience disappointment is a natural response from those emotionally connected to the characters is crucial. Despite the potential disappointment caused by this change, the third film still has the opportunity to present an engaging narrative and captivate the audience differently.
Transformations in the film industry are commonplace, and actor rotations are integral to this process. In the context of the love story between Dilan and Milea, the decision to replace the leading actor signifies an evolution in film development. This change, particularly with Iqbal Ramadan's departure, has sparked disappointment among the audience. Iqbal Ramadan successfully infused Dilan's character with a strong sense of identity, and his unique personality has been a primary allure in the two cinematic endeavors before. Audience dissatisfaction may originate from their high expectations for Dilan's narrative, now an iconic element in Indonesian cinema.
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Nevertheless, transformations in the cinematic realm are often essential for various reasons, such as creative choices made by the production team, scheduling conflicts, or evolving production requirements. Replacing actors can serve as a means to inject freshness into characters or offer alternative interpretations of the story. Although it may pose emotional challenges for viewers who have formed connections with the previous characters, it also presents an opportunity to introduce something new.
It is crucial to remember that audience disappointment is a natural response to change; however, the third film still holds the potential to deliver an enchanting narrative differently. Despite the initial disappointment caused by replacing the leading actor, it creates space for innovation and a new interpretation of Dilan and Milea's love story. By giving the story a chance to evolve, the third film promises to create a unique and satisfying cinematic experience for the audience.
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The audience's disappointment regarding the change of actors in the Dilan story is an understandable reaction, considering that the character of Dilan has become an integral part of the narrative and identity of the film. Iqbal Ramadhan's portrayal of Dilan has created an emotional bond with the audience, so the actor's replacement can certainly evoke disappointment among them. For viewers who have connected with the character of Dilan, played by Iqbal Ramadhan, this change can pose an emotional challenge, given the strong allure built by the previous actor.
However, this change must also be considered from the production house's perspective. The replacement of actors, especially for crucial characters like Dilan, can impact the image and label of the film on the broader community's perception. Dilan has become a recognized and beloved brand among the audience, and changing actors may pose a risk to the continuity of the character's identity. For the production house, it's not just about dealing with the current disappointment of the audience but also considering the long-term impact on the success and appeal of the Dilan brand in the future.
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It should be noted that the decision to change actors can vary, including creative reasons, scheduling, or business decisions. However, awareness of this change's social and emotional influence is crucial. After all, the success of a film depends not only on a solid narrative but also on how the film can maintain and strengthen the emotional connection with its audience.
The production house may need to consider ways to alleviate audience disappointment, such as providing transparent explanations about the reasons for the change of actors or introducing new elements to capture the audience's attention. Ultimately, finding a balance between artistic needs and audience expectations is the key to maintaining the Dilan story's continuity and allure in the public's eyes.
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